QUESTION: 129

The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them--everywhere the work of reproduction going forward!
I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what the matter was. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four-and-thirty he must try and act the part consistently.
In 1st paragraph, the word "lambs" is an example of which device?

allusion
foreshadowing
flashback
metaphor
simile

Answer(s): D

Explanation:

This is a fairly straightforward metaphor wherein "lambs" refers not to the literal ewe under one year of age, but a young plant.

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QUESTION: 130

The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them--everywhere the work of reproduction going forward!
I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what the matter was. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four-and-thirty he must try and act the part consistently.
What can be inferred by the narrator's choice of words, "gnat" 2nd paragraph to describe his dance?

He is a man small in stature representing the size of a gnat.
He is agile as are the physical characteristics of a gnat.
He feels new as a gnat that has just been born in the spring.
His dance would replicate the giddy, erratic flight pattern of the gnat.
As a gnat is drawn to light, so is he drawn to the sunlight pouring through his window.

Answer(s): D

Explanation:

Here, the narrator is metaphorically speaking. As gnats don't danceper se, they do fly erratically, and his dance would be just as unpredictable in form and grace.

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QUESTION: 131

Also the Emperor became more and more excited with curiosity, and with great suspense one awaited the hour, when according to mask-law, each masked guest must make himself known. This moment came, but although all other unmasked; the secret knight still refused to allow his features to be seen, till at last the Queen driven by curiosity, and vexed at the obstinate refusal; commanded him to open his Vizier. He opened it, and none of the high ladies and knights knew him. But from the crowded spectators, two officials advanced, who recognized the black dancer, and horror and terror spread in the saloon, as they said who the supposed knight was. It was the executioner of Bergen. But glowing with rage, the King commanded to seize the criminal and lead him to death, who had ventured to dance, with the queen; so disgraced the Empress, and insulted the crown. The culpable threw himself at the Emperor, and said:
"Indeed I have heavily sinned against all noble guests assembled here, but most heavily against you my sovereign and my queen. The Queen is insulted by my haughtiness equal to treason, but no punishment even blood, will not be able to wash out the disgrace, which you have suffered by me. Therefore oh King! allow me to propose a remedy, to efface the shame, and to render it as if not done. Draw your sword and knight me, then I will throw down my gauntlet, to everyone who dares to speak disrespectfully of my king."
The phrase "and horror and terror spread in the saloon" (end of 1st paragraph)qualifies as what device?

mockery
allusion
metaphor
hyperbole
litotes

Answer(s): D

Explanation:

The device of "hyperbole" or overstatement is the device used here by the writer to give a sense of the egregious affront made to the court.

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QUESTION: 132

Also the Emperor became more and more excited with curiosity, and with great suspense one awaited the hour, when according to mask-law, each masked guest must make himself known. This moment came, but although all other unmasked; the secret knight still refused to allow his features to be seen, till at last the Queen driven by curiosity, and vexed at the obstinate refusal; commanded him to open his Vizier. He opened it, and none of the high ladies and knights knew him. But from the crowded spectators, two officials advanced, who recognized the black dancer, and horror and terror spread in the saloon, as they said who the supposed knight was. It was the executioner of Bergen. But glowing with rage, the King commanded to seize the criminal and lead him to death, who had ventured to dance, with the queen; so disgraced the Empress, and insulted the crown. The culpable threw himself at the Emperor, and said:
"Indeed I have heavily sinned against all noble guests assembled here, but most heavily against you my sovereign and my queen. The Queen is insulted by my haughtiness equal to treason, but no punishment even blood, will not be able to wash out the disgrace, which you have suffered by me. Therefore oh King! allow me to propose a remedy, to efface the shame, and to render it as if not done. Draw your sword and knight me, then I will throw down my gauntlet, to everyone who dares to speak disrespectfully of my king."
All of the following would qualify to support the secret knight being labeled a "criminal" 1st paragraph EXCEPT:

he was executioner of Bergen.
he disobeyed the mask-law.
he was physically in the saloon.
he represented himself as a knight.
he danced and fraternized with royalty.

Answer(s): A

Explanation:

The job of executioner was not criminal; in fact it was a position required to obey the execution of the law.

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Free SAT Section 1: Critical Reading Exam Braindumps (page: 33)

QUESTION: 129

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QUESTION: 130

Explanation:

QUESTION: 131

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QUESTION: 132

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